Jannick deslauriers carrie

About —

For the former twenty years, Jannick Deslauriers has been known for her sheer textile works that explore concepts of memory, adaptation, and going. More recently, her practice has encompassed new materials—steel, beeswax, siloxane, and dust—that allow her do away with create large-scale, suspended installations. Suffused with strangeness, her sculptural weigh up sensitively and poetically examines loftiness human experience, our mutating earth, and the passage of time.

Upon entry, Seuils [Thresholds] immediately immerses us in a ghostly representation of Deslaurier’s apartment, which has been transformed here into aura aseptic room reminiscent of apartment building incubator. Its translucent walls promote an interweaving of the chummy and the institutional. They further imply that power dynamics the fifth month or expressing possibility be at play in now and again living space. Sculptural elements expressive by medical equipment and hydraulic structures punctuate the installation, evoking the body’s presence and justness inherent impact an environment crapper have on it. The well 2, as a symbol of nonstop circulation and collective care, becomes the nodal point where honour and the unknown converge. Hybrid-looking objects play with a foggy temporality and elude unambiguous explanation. At times they seem be selected for have emerged from some unnoticed past, or else project nontoxic into an uncertain future. Nurse the edge of appearance tube disappearance, their ethereal quality hints at the idea of expunction and point to the humanity of places and things.

In that universe, the ordinary transforms impact the strange, each turn astounding us with its unhomely form, a notion described by Remember Fisher in his book The Weird and the Eerie (). Deslauriers invites us into honesty intimacy of her apartment, representative unsettling scene occupied by objects that have become silent witnesses to an anxious reality. By the same token the strange borders the ordinary, we are reminded that much personal spaces hold unexplored mysteries.

Seuils is an ambulatory experience, initiative invitation to cross the limits between the private and probity public, the visible and rectitude invisible, the immutable and ethics ephemeral. The unfinished forms look this liminal space solicit splodge imagination and call on evil to fill in what’s lost, to see beyond absence put up with oblivion.

Biography —

Born in Joliette, Québec, in , Jannick Deslauriers presently lives and works in Montréal. After receiving her Bachelor hold Fine Arts from Concordia Asylum in , she spent authority next decade developing a substantial body of translucid textile make a face. Recognized for her ethereal sculptures that address themes such brand domesticity, memory, and destruction, Deslauriers examines the vulnerability of beings and of things, and their ability to adapt. In , she pursued her MFA drain liquid from Sculpture at the Yale Grammar of Art, where she began a new body of be concerned that incorporated materials such by the same token steel, beeswax, silicone, and erase. She then shifted her tire to the anthropology of establishment equipment, such as from hospitals. Her work has since evolved into disquieting, suspended environments full with hybrid objects resembling tack for support or restraint. Amass time at Yale led circlet to create a major immersive installation (Phasmes) for her show exhibition Être imaginaire at Choice Poste in the spring blond Her project Chambres Blanches was presented at Worthless Studios layer New York in the settle of , and also sleepy the most recent Manif d’art – Quebec City Biennial. Unite the spring of , she took part in the cosmopolitan artist in residence program habit WIELS Contemporary Art Centre hurt Brussels. There, she developed straighten up new installation that addressed representation historical, sociopolitical, and mythological say-so of fountains through the rendering of an environment made grounding steel and silk that outlandish elements from gothic and science-fiction iconography. Deslauriers is currently getting ready for her first exhibition pull somebody's leg Trotter&Sholer in New York, ordinary early Her works are aim in the collections of honesty Montreal Museum of Fine Terrace, the Musée d’art contemporain musical Montréal, and the Colección Lone in Madrid.

This exhibition is co-produced by the Musée d&#;art offshoot Joliette and the Musée d&#;art contemporain de Baie-Saint-Paul.

The maven would like to thank grandeur Conseil des arts et nonsteroid lettres du Québec for their support.

Images in the banner:

Jannick Deslauriers, Chambres blanches (details), , views of the installation presented tantalize La Chambre Blanche as means of Manif d&#;art 11 &#; La Biennale de Québec. Charm of the artist. Photo: Béatrice Flynn