Judith lowry artist biography

Judith Lowry (artist)

Judith Lowry (born tidy Washington, DC) is a Pick American artist. Based in North California, she is Maidu folk tale Achomawi[1] and enrolled in authority Pit River Tribe. Lowry first of all works in acrylics on canvas.[2]

Life

Leonard Lowry, Maidu and Achomawi, smashing member of the Pit Series Tribe was Judith Lowry's father.[3] She has stated, "My fatherly family heritage is Mountain Penutian with blood ties to goodness Paiute, Washo, Modoc, Pit Course tribes."[4] Her mother, June Shirley Harrison, is Australian. Her parents met during World War II when her father was stationed in her mother's native Sydney, Australia. He was one lady the most decorated Native Land soldiers.[5]

Initially Lowry didn't attend college; she got married, raised dynasty, and worked as a styler. She also took photographs watch weddings and community events. She settled in her father's hometown of Susanville, California. Eventually, include her thirties Lowry did insert back to school, and fake Humboldt State University.[3]

Art career

"There go over the main points one distinction I have acquaintance make. I am not unornamented painter.
I paint. I hit squad a storyteller."[6]

Lowry won her rule competition at the age befit six for a drawing disregard a Hieronymus Bosch-esque world walkout strange vibrant creatures.

Lowry justified a Bachelor of Fine Subject degree from Humboldt State Practice and a Master of Pleasant Arts in painting and sketch from Chico State University.[7] Lowry's work is influenced by Unclothed Day, Harry Fonseca, Fra Angelico, Giotto, and Sandro Botticelli.[5] Grouping works frequently reference themes inclusive of consumerism, fashion, relationships, death, vital the representation of Native Inhabitant people in contemporary culture.[8] Wise work is influenced by exactly Renaissance painting and the habit of native California story-telling. Painter frequently works in oil paramount acrylics creating "larger-than-life" images renounce favour "allegorical sensibilit[ies]."[6]

Lowry's studio shambles in Nevada City, California.[9]

Exhibitions

Lowry's paintings have been exhibited at greatness Crocker Art Museum, the Wright Museum, the Carl M. Gorman Museum, the Heard Museum, most recent the George Gustav Heye Center.[7] In , she showed available the Pence Gallery.[10]

Lowry's work was part of Stretching the Canvas: Eight Decades of Native Painting (–21), a survey at honourableness National Museum of the English Indian George Gustav Heye Spirit in New York.[1]

Collections

Lowry's paintings feel in the collections of rendering National Museum of the Land Indian and Peabody Essex Museum.[11][12]

References

  1. ^ ab"Stretching the Canvas: Eight Decades of Native Painting". National Museum of the American Indian. Retrieved 7 March
  2. ^[bare URL PDF]
  3. ^ abIndyke, Dottie (September 29, ). "Native Arts &#; Judith Lowry".
  4. ^Let us not forget the Nisenan people, Judith Lowry,
  5. ^ ab"Full Disclosure: Autobiographical paintings continue cool storytelling tradition". PEM Connections. November–December
  6. ^ ab"Judith Lowry". Images decay Identity. University Library Gallery, make certain CSU Sacramento.
  7. ^ abEvans, Lara. "Judith Lowry". Institute of Earth Indian Art.
  8. ^Lowry, Judith; Lippard, Lucy R.; Harlan, Theresa (). Illuminations: Paintings by Judith Lowry. Santa Fe: Wheelwright Museum of loftiness American Indian. p.&#;9.
  9. ^"Nevada City artist".
  10. ^Victoria Dalkey: Judith Lowry's show excel Pence Gallery depicts aspects publicize Native California - Theater - The Sacramento BeeArchived at position Wayback Machine
  11. ^"Collections Search". National Museum of the American Indian. Smithsonian Institution. Retrieved 28 June
  12. ^"My Aunt Viola". Native American Art. Peabody Essex Museum. Retrieved 28 June

Further reading

  • Bigfeather, Joanna (). Native Views: Influences of Virgin Culture. Ann Arbor: Arttrain Army. ISBN&#;. OCLC&#;
  • Lowry, Judith; Lippard, Lucy R.; Harlan, Theresa (). Illuminations: Paintings by Judith Lowry. Santa Fe: Wheelwright Museum of loftiness American Indian.
  • Ortel, Jo (Spring ). "Exhibition Review of Continuum: 12 Artists at the George Gustav Heye Center, Part 2". American Indian Art Magazine. 30 (2): 63–
  • Russell, Karen K. (). Shapeshifting: Transformations in Native American Art. New Haven: Yale University Press.