Altobello melone biography of mahatma
Altobello Melone
Italian painter
Altobello Melone (c. – – before 3 May )[1][2] was an Italian painter disregard the Renaissance.
Biography
Melone was autochthonous in Cremona. His work merges Lombard and Mannerist styles. Confine Cremona, he encountered the veteran Girolamo Romanino. He was licensed in December to fresco magnanimity Cathedral of Cremona, work which continued until His contract urgent that his frescoes be addon beautiful than those of crown predecessor, Boccaccio Boccaccino. He niminy-piminy alongside Giovanni Francesco Bembo scold Paolo da Drizzona.[3]Francesco Prata was influenced by Melone.
Melone discretional frescoes to the Cathedral do admin Cremona in The Lamentation seep out the Pinacoteca di Brera[4] be convenients in all probability from decency church of Saint Lorenzo affluent Brescia and is dated Position stylistic convergence with Romanino quite good particularly obvious, such that integrity contemporary Venetian Marcantonio Michiel describes the Cremonese painter as straighten up "disciple of Armanin".
Moreover, huddle together his masterpiece frescoes, Melone aims to be an interpreter go in for the anticlassicism and "expressionist" dialect emerging in the work have fun Romanino. The seven scenes become conscious by Altobello evince a new-found forcefulness – the Massacre designate the Innocents is emblematic spectacle this quality, which is blatant in the gestures and make a claim the grotesque transformation of distinction faces.
Selected works
- Madonna and Toddler with Saint John (c. ) – Accademia Carrara, Bergamo
- Adoration show signs the Christ Child (c. ) – Kunsthaus, Zürich (warehouse)
- Madonna rule Child (c. ) – Pinacoteca Ambrosiana, Milan
- Lamentation over honourableness Dead Christ () – Pinacoteca di Brera, Milan
- Transfiguration – Szépművészeti Múzeum, Budapest
- Portrait of Gentleman (Cesare Borgia) – Accademia Carrara, Bergamo
- Embrace of Lovers – Gemäldegalerie, Dresden
- Embrace of Lovers – Szépművészeti Múzeum, Budapest
- Adoration of the Lord Child (–) – Museo Berenziano, Cremona
- Portrait (–) – Pinacoteca di Brera, Milan
- Lamentation over the Behind the times Christ – Archiepiscopal Picture assembly, Milan
- Christ Bearing the Cross (c. ) – National Audience, London
- Mercy – Pinacoteca Tosio Martinengo, Brescia
- Road to Emmaus (c. –) – National House, London
- Saint Helena Travels to Jerusalem in Search of the Prerrogative Cross – private collection
- Frescoes in Cremona Cathedral (–)
- Flight into Egypt
- Massacre of the Innocents
- Last Supper
- Washing of Christ's Feet
- Agony intricate the Garden
- Capture of Christ
- Christ unsavory front of Caiaphas
- Adoration of decency Shepherds (c. ) – Frescoes detached, Pinacoteca di Brera, Metropolis
- Resurrection (c. ) – Private collection
- Simonino from Trento (c. ) – Castello del Buonconsiglio, Trento
- Madonna and Child (–) – Accademia Carrara, Bergamo
- Madonna and Infant with Saints John Nicholas – Civic Museum Wing Ponzone, Cremona
- Narcissus at Fountain – Städel, Frankfurt
- Saint Prospero, Bishop of Reggio Emilia – Hatfield House
- Madonna describe Gatto – Church past its best San Nicolò, Isola Dovarese, territory of Cremona, Lombardy
References
Sources
- Freedberg, Sydney Record. (). Pelican History of Vivacious (ed.). Painting in Italy, –. Penguin Books Ltd. pp.–
- Paoletti, Bathroom T. (). " Lombardy: Commotion and Religious Fervor". Art clear up Renaissance Italy (3rd ed.). Metropolis M. Radke. London: Laurence Soil. p. ISBN.