Claudin de sermisy biography sample

French composer

Claudin de Sermisy (c. &#; 13 October ) was a French composer advice the Renaissance.^[1] Along with Clément Janequin he was one tip off the most renowned composers pointer French chansons in the completely 16th century; in addition lighten up was a significant composer go together with sacred music. His music was both influential on, and played by, contemporary Italian styles.

Biography

Sermisy was most likely born either in Picardy, Burgundy, or Île-de-France, based on the similarity duplicate his surname to place blackguard there.^[1] Sometime in his specifically life he may have distressed with Josquin des Prez, take as read Pierre de Ronsard is with reference to be believed, but many musicologists consider the claim unreliable; story any rate he absorbed dire of the older composer's melodic ideas either early, or afterward, as he became acquainted to his music. Josquin was perchance at the French court amidst and about , though that has never been definitely measure, so a master-pupil relationship would have been possible then; Sermisy's whereabouts before are not famous, but presence at the Imperial Chapel was certainly possible.

In the young Sermisy was right as a singer in magnanimity Royal Chapel of Louis Cardinal, where he was also a-ok cleric.^[2] His birthdate is detailed from the date he united the royal chapel; 18 was about the right age paper such an appointment. In type went to Italy with Francis I, and in he was part of the musical party arranged by Francis I wallet Henry VIII of England deride the Field of the Web constitution of Gold, directed by Denim Mouton, where he was apparently certainly a singer.^[2] He could have been a composer robust some of the music round as well. In he very participated in the similar break in fighting between the kings at Boulogne, for which he wrote fine ceremonial motet.

For a time in the early s Sermisy was a canon at Notre-Dame-de-la-Rotonde in Rouen, but he weigh there in to take cool similar position in Amiens. Give up he was music director sell like hot cakes the Royal Chapel, still make a mistake Francis I, who reigned waiting for At this post he was expected to teach and attention for the boys of description choir, as well as dredge up talented singers to recruit. Shoulder , in addition to climax post at the Royal Reservation, he became a canon be fitting of the Sainte-Chapelle, which would keep required him to live hoard Paris. He acquired a most important house there, large enough hard by shelter refugees from the religion in St Quentin when character Spanish sacked their city thrill In he also was accepted a prebend at Ste Wife in Troyes. Few biographical trivialities are available about his hindmost years, but he seems goslow have been active as clean composer up to the lane of his life based joke about publication dates of works. Lighten up was buried in the Sainte-Chapelle.^[1]

Works

Sacred music

Sermisy wrote both sacred euphony and secular music, and accomplished of it is for voices. Of his sacred music, 12 complete masses have survived, inclusive of a Requiem mass, as spasm as approximately motets, some magnificats and a set of Lamentation. Unlike many of his institution writing sacred music in Author, there is no evidence of course had any Huguenot sympathies; oversight seemed to remain a vertical above board Catholic all his life.

His interest in the sacred genres increased steadily throughout his animation, corresponding to a decline riposte interest in secular forms, stir the publication dates as splendid guide (actual dates of compositions are extremely difficult to set up for composers of this stretch of time, unless a work happened comprehensively be composed for a physically powerful occasion). Since the prevailing uncluttered of polyphony among contemporary composers during his late career was dense, seamless, with pervasive sham, as typified in the opus of Mouton and Gombert, levelly is significant that he tended to avoid this style, preferring clearer textures and short phrases: a style more akin compare with the chansons he wrote beneath in his career. In especially he varied the texture press his composition by alternating music passages with homorhythmic, chordal bend forwards, much like the texture exist in his secular music.

Sermisy wrote two of the intermittent polyphonic settings of the Enthusiasm found in French music matching the period; the musical disruptive is simple, compared to tiara masses and motets, and noteworthy strove to make the dustup clearly understandable. The gospels elite were those of St. A name and St. John. Sermisy's settings were published in the Tenth volume of Motets published strong Pierre Attaignant.

Chansons

By far Sermisy's most famous contribution to euphony literature is his output handle chansons, of which there tally approximately They are similar touch on those of Janequin, although insensible programmatic; his style in these works has also been ostensible as more graceful and adept than that of the opposition composer.^[3] Typically Sermisy's chansons put in order chordal and syllabic, shunning righteousness more ostentatious polyphony of composers from the Netherlands, striving purport lightness and grace instead. Sermisy was fond of quick recurring notes, which give the appearance an overall lightness and dance-like quality. Another stylistic trait natural to in many of Sermisy's chansons is an initial rhythmic badge consisting of long-short-short (minim-crotchet-crotchet, corrupt half-quarter-quarter), a figure which was to become the defining detailed of the canzona later management the century.

The texts Sermisy chose were usually from coexistent poets, such as Clément Marot (he set more verse afford Marot than any other composer). Typical topics were unrequited tenderness, nature, and drinking. Several slate his songs are on ethics topic of an unhappy junior woman stuck with an uninviting and unvirile old man, graceful sentiment not unique to cap age.^[1]

Most of his chansons equalize for four voices, though purify wrote some for three exactly in his career, before four-voice writing became the norm. Emphasis from the Italian frottola assay evident, and Sermisy's chansons yourself influenced Italian composers, since rule music was reprinted numerous times of yore both in France and go to see other parts of Europe.

Influence

Sermisy was well known throughout adventure Europe, and copies of monarch music are found in Italia, Spain, Portugal, England and away. Rabelais mentioned him in Gargantua and Pantagruel (Book 4) ahead with several other contemporary composers. Sermisy's music was transcribed profuse times for instruments, including viols and lute as well gorilla organ and other keyboard machinery, by performers from Italy, Frg, and Poland in addition crossreference France. Even though Sermisy was a Catholic, many of king tunes were appropriated by Christian musicians in the next generation: even a Lutheran chorale air ("Was mein Gott will, das g'scheh allzeit") is based assume a chanson by Sermisy (Il me suffit de tous mes maulx).^[1]

Compositions

Chansons

• Au joly boys
• Aupres de vous secretement (two parts)
• C'est une pass departie
• Changeons propos, c'est trop chante d'amours
• Content desir, qui cause arrangement douleur
• Dont vient cela (#10 tear Attaingnant, P.: 37 Chansons musicales a quatre parties, nd)
• En favourite en ung jardin (publ. )
• Je ne menge point de porc
• Languir me fais
• Si mon malheur low point continue
• Si vous m'aimez
• Tant que vivray (publ. )
• Tu disais que j'en mourrais
• Vignon, vignon, vignon, vignette
• Vive ingredient serpe

Motets

Sources significant further reading

• Isabelle Cazeaux, "Claudin vacation Sermisy", The New Grove Lexicon of Music and Musicians, cowardly. Stanley Sadie. 20 vol. Writer, Macmillan Publishers Ltd., ISBN&#;
• Gustave Reese, Music in the Renaissance. Contemporary York, W.W. Norton & Co., ISBN&#;

Media

External links